Anna Caterina Antonacci
Anna Caterina is regarded as the most talented soprano of her generation. She was awarded awards for two competitions: her Voci Verdiane Callas competition and the Pavarotti Competition. To honor her accomplishments her award was the 'Chevalier de l'Ordre National de la Legion d'honneur' (the highest distinction a individual can attain) from the French Republic. Era la Notte was her first release for Naive and received a lot of praise. Her second recording called L'Alba separadilla luce of the ombra, on Wigmore Live featuring Tosti Ciela and Hahn together with Donald Sulzen has been equally well-received. Anna Caterina was elected one of the Accademici Effettivi by the distinguished panellists from the General Assembly of the Academicians of Santa Cecilia in 2021. Anna Caterina performed as Madame de Croissy at Teatro dell'Opera di Roma for this season's 22/23. The production is led by Emma Dante. This season, Anna Caterina will perform the role of Madame de Croissy again in the Bayerische Staatsoper. Anna Caterina Antonacci comes from an Italian family of sopranos. She is most known for bel-canto roles as well as Baroque. She primarily focused on the Rossini Canon. Antonacci has been a mezzo-soprano since a few years. She is 62 years old. Caterina Antonacci's height is not available currently. We will update Anna Caterina Antonacci's Height Weight Body Measurements, Eye Color Hair Color Shoe & Dress size soon as possible. There is no one she's dating. She does not have a boyfriend. It isn't clear what we have to know about her past relationship and engagements. According to our database, she has never had children. Her net worth has grown substantially between 2022-2023. What is Anna Antonacci's net worth today that she is 62? Anna Caterina Antonacci earns most part of her earnings through her success. Anna Caterina Antonacci, born 5 April 1961, in Italy, is an soprano renowned for her roles within her role in the Baroque and the Bel Canto repertories. In the past she sang as mezzo-soprano, and was focused on her role in the Rossini Canon. Antonacci began her career as Rosina in Arezzo in 1986 following her studies in Bologna. New York Times wrote a extensive profile on her in March of 2012.
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